Title: All This Time
Author: Tiffani Burnett-Velez
Publication Date: April 3 2015
Publisher: Booktrope
Book Links: Goodreads || Amazon || B&N
Syrian-American, Lydia Fadoul, has spent a year waiting for her fiancé to return from war in Iraq, only to discover that he is broken by trauma and the devastating effects of PTSD.
Just when he finally agrees to seek help, he takes his own life and leaves behind a story of murder, betrayal, and mystery.
In her second, contemporary fiction novel since Budapest, Tiffani Burnett-Velez weaves a fast-paced literary tale about the rumors we believe and the prejudices we create in order to protect our hearts from the truth.
Author Bio
Tiffani Burnett-Velez has been a freelance since 1996. Her non - fiction work has appeared in magazines and newspapers in the US and Europe, including Pennsylvania Magazine, Country Discoveries, St . Anthony Messenger, Health.com, Yahoo! News, and many more online and in print publications.
Her first novel, Budapest, was featured in the New York Book Festival and the 4 2nd Annual Conference of Jewish Librarians and it's re-release became a 2014 Amazon Bestseller in Literary and Inspirational Fiction.
Her second contemporary novel, All This Time, will be released by Booktrope in 2015, and the second, A Berlin Story, in her bestselling WWII novella series, Embers of War, is an Amazon Historical German Fiction Bestseller.
She has studied English Literature at Harvard University and the University of Pennsylvania and holds a BA in Cognitive Science from Ashford University. She is currently completing her MFA in Creative Writing.
Get to Know: Tiffani Burnett-Velez
1) When did you know you wanted to be a writer?
When I was six years old and wrote my first sentence. I know
it had something to do with Sherlock Holmes, because my father was a huge
Sherlock Holmes fan and used to read the stories to my older brother and I all
the time. I remember looking up at my dad and asking, “Daddy, how do you spell
Sherlock?” That was the beginning, and I told him that I was going to be a
writer when I grew up. He said, “Lot’s of people say that.” I guess I took it
as a challenge, and I have surprised myself. It’s not a pipe dream if you’re a
hard worker and have some talent, which can be cultivated.
2)
Why do you write so often about war?
That’s a great question. My first novel, Budapest, is not
directly about war, but Anna Laszlo, the main character, is searching out the
home her grandmother lived in before she was murdered in the Holocaust, so I
guess war influences the story. But it is also about human trafficking and
domestic abuse, while still being hysterical and quirky in places. In A Berlin
Story, I was compelled to learn what it was like for a young woman surviving
the Fall of Berlin in 1946. I had this image in my head of her sitting in her
living room, the walls are shaking, the windows are crashing with the violent
rumble of Soviet tanks as they move down her street, and she knows, at that
moment, her life is going to change forever. All This Time was originally a story about a man who dies
immediately after sustaining serious injuries in Iraq. However, my original
editor and I, decided on a major plot change, and I immediately went to the
Syrian community in Allentown, Pennsylvania and murder in Iraq. I have no idea
why I am drawn to write about conflict and PTSD so much. I guess, because both
my father and stepfather are veterans, and both have PTSD. I saw the effects up
close, and I know the effect every area of a person’s life.
3)
About your latest novel, All This Time,
specifically - Why did you choose to
write about a Syrian-American family in All
This Time? Are you Syrian?
I love this part of writing, peeling back the layers. No, I’m not Syrian, but I learned from “The
Albanian Virgin”, a short story by Alice Munro, that one does not have to be
part of a culture to write it well from the inside out. Also, Syria and its
people are complicated, beautiful, and ancient. How could one not be attracted
to that? Additionally, Syria is experiencing a horrendous civil war right now
and innocents are dying every day, but we're not talking about it anymore. I
want to get it back into the American discussion.
4)
Why isn’t Lydia Fadoul Muslim? Aren’t most
Middle Easterners Muslim?
Firstly, people from that region of the world don’t use the
term “Middle East”, as it is not a real place. What we consider the Middle East
is Africa and Asia, and within those places, there are large pockets of
Christians and other religions as well. In fact, the largest Christian Syrian
population outside of Syria lives in Allentown, Pennsylvania, just a few miles
from my home. I drive through the neighborhoods where my characters live, move,
and eat fine hummus, nearly every day.
Originally, Lydia was Muslim, but because I was raised
Catholic (and have extensive experience with Eastern Catholics and I converted
to Eastern Orthodoxy a few years ago), I run a much greater chance of NOT
offending whole religious groups and people by writing what I know. I would have
loved to have made Lydia Muslim. However, I just didn't feel that I held the
appropriate knowledge to do so. I've ventured out into worlds I've never been
to with Budapest and A Berlin Story (but I'm connected to both places and
experiences, so it's not completely foreign), and "Little Syria" as
it's called here in the Lehigh Valley is only a short drive away. I'm getting
bolder, though, and I’ll venture out further each time I write.
5)
Did you have to do a lot of research for All
This Time?
Yes, quite a bit, actually. Besides the cultural learning
curve, I spent several hours pestering my father and stepfather (both US Air
Force veterans) about military rankings, whether or not this idea or that was
plausible, etc…
Survival Strategies of the Almost Brave is a refreshing middle grade about twelve year old Liberty and her eight year old sister Billie. After their mother's untimely death, the girls leave the only home they have ever known to spend the summer on the road with their previously absent father. While things originally go well, the pressure of being a full-time dad eventually gets to their father and he abandons them at a gas station in the middle of the desert. Liberty cannot be afraid. Her sister depends on her to get them home and failure is not an option. With a notebook full of animal facts, a woman dressed in purple, a kid obsessed with Star Wars, and a tattooed trucker, the girls must find their way back to San Diego and begin to reform their own familial pod.
